Axe wrote: Sounds great. Serious power amp breakup. Must have been loud as hell.
He can't send it out until next Monday. Wait's gonna kill me.
There's so much gain, it's ridiculous. The only thing I engaged on those dip switches is the Mid.
Yeah, that's one loud 60 watt amp. guidedbyechoes said that engaging the Comp switch helps keep the volume down. I didn't need to, it sounds amazing as is.
Getting those caps replaced will last you for another 20+ years. Seriously, these older Peavey amps will outlive us all.
Last edited by soundgardener75 on Tue Feb 12, 2013 10:29 pm, edited 1 time in total.
Rampage wrote:Oh, you can't play guitar because of your cats? What's next, you don't have sex with your wife because your vagina is acting up?
K-Bizzle wrote:There comes a point in every young mans life when he forsakes the skittles and mountain dew of his childhood for the beer and reese's of manhood.
I have the Pre at 4 and the Post at 7. I had an Ampeg slant cab with 75's on this vid.
Post at 7? Holy f**king loud!
I have had the 60 and the 120 at different time periods and I was not aware how to use it when I owned them. I used dirt pedals instead of onboard amp gain They are killer amps.
I played a VTM 120 this weekend for the first time and it sounded KILLER!
1981 Gibson Les Paul Custom 1971 Gibson Les Paul Standard 2013 Gibson Les Paul Trad Pro II 1995 Gibson Les Paul Classic 2010 Fender Am Std Telecaster 2011 Fender AM Std Stratocaster '74 JMP Superlead '84 Marshall JCM 800 2203 EVH 5150 III 100 watt EVH 5150 III 50 watt Fender Super Sonic 22 Orange cabs Seagrams 7
cavitation wrote: I have had the 60 and the 120 at different time periods and I was not aware how to use it when I owned them. I used dirt pedals instead of onboard amp gain
lol. When I first started playing, I ran a Metal Zone into a Vox Valvetronix's high gain amp model and couldn't figure out why it sounded like shit.
Guitars: '16 Gibson Les Paul Classic • '16 Fender Deluxe Stratocaster HSS • Jackson Pro Soloist SL2Q Amps: EVH 5150 iii 100 watt • Peavey 5150 • Fender Super-Sonic Twin • Mesa-Boogie Triple Rectifier Effects: Line 6 Helix
Axe wrote: lol. When I first started playing, I ran a Metal Zone into a Vox Valvetronix's high gain amp model and couldn't figure out why it sounded like shit.
We should have known each other. When I started I was running a Boss Turbo OD into a boombox. We coulda had the stereo rig of doom.
lulz. Add in a Digitech Grunge through a Marshall MG and all would bow before our toanz.
Guitars: '16 Gibson Les Paul Classic • '16 Fender Deluxe Stratocaster HSS • Jackson Pro Soloist SL2Q Amps: EVH 5150 iii 100 watt • Peavey 5150 • Fender Super-Sonic Twin • Mesa-Boogie Triple Rectifier Effects: Line 6 Helix
Axe wrote: lol. When I first started playing, I ran a Metal Zone into a Vox Valvetronix's high gain amp model and couldn't figure out why it sounded like shit.
We should have known each other. When I started I was running a Boss Turbo OD into a boombox. We coulda had the stereo rig of doom.
lulz. Add in a Digitech Grunge through a Marshall MG and all would bow before our toanz.
I had an Attacker, and later on the Grunge, through my dad's stereo system or my boombox. I am your god n00bz!
soundgardener75 wrote:I had an Attacker, and later on the Grunge, through my dad's stereo system or my boombox. I am your god n00bz!
When my parents were gone I'd sneak upstairs with my Turbodrive and slap it on dad's old custom tube stereo he had made for him in the seventies with the weighted speakers. THat was PURE \m/.
You had no idea how many times I asked my cousin to fix the tweeter I keep blowing up on my dad's system.
Sounds great. Serious power amp breakup. Must have been loud as hell.
guidedbyechoes said that engaging the Comp switch helps keep the volume down. I didn't need to, it sounds amazing as is.
