My band has convinced me to stop using my 2 channel recto because of all things it's not bright enough and my other guitar player is using a Tremoverb, so they want a slightly different tone and that cuts more because I play the lead parts. Anyway, I've decided to start using a Mark rig again. Which one should I choose? I'm total fashion whore when it comes to this stuff.
No matter what I'm going to be using the cab in this picture, not the ones below, those stay in my studio.
My collection:
Mesa (Mark IV long and short head, Mark III red and blue stripe, Dual Rec 2 channel Rev G and Tremoverb)
K-Bizzle wrote:I accidentally voted for "fuck my band."
Ebony and Mark III all the way. With how highly you've spoken about the III it seems like a no brainer.
Now if it was me in my band and I had your gear it'd the silveburst into the IV or one of your many sick Marshall rigs.
I know. That actually is my favorite amp, fffffffuuuuuuuuuu
I think the Mark IV hits the tone more they want me to have which is sort of that trebly reverby adolescents sound. It's killing me those because 2 rectos, one with EL34s, one with 6l6s is just so sonically wide and massive, and I don't really want that thin tone. Even if I love 80s punk, it doesn't mean I necessarily want that thin sound. But yeah, I've played many killer shows with my Mark III, and I does just feel right live.
That silver burst is way to nice to see the small shitty stages I usually play. Now If I play someplace bigger like Pea bodies, that shit's coming out in a second.
Last edited by Tommy Eisen on Wed Feb 20, 2013 11:05 pm, edited 1 time in total.
My collection:
Mesa (Mark IV long and short head, Mark III red and blue stripe, Dual Rec 2 channel Rev G and Tremoverb)
I picked the Mark III for fewer knobs and it should be bright enough for good contrast. I chose ebony, but it doesn't really matter. They both look cool.
Filter500 wrote:I picked the Mark III for fewer knobs and it should be bright enough for good contrast. I chose ebony, but it doesn't really matter. They both look cool.
Yeah, like the less knobs look too. I totally honest to god stoped using my JVM simply because all those knobs look goofy Hahahahah, yes I'm a spoiled asshole.
My collection:
Mesa (Mark IV long and short head, Mark III red and blue stripe, Dual Rec 2 channel Rev G and Tremoverb)
Have you tried either mark with this band? Every time I've played mark and recto opposite its been fucking stellar.
Basically if the III gets you stoked live that's enough right there IMO. Enjoying yourself is one of the most important aspects when playing out and it sounds like that amp will deliver that for ya.
Guitars: ESP Eclipse, JR Tele, Gibson LP Tribute, Gibson Government Explorer S I/II, Yamaha FGX830C, Balaguer Goliath, Squire Jazz Bass Maps: Egnater Armageddon, 5153 50W Stealth, Quilter, Ashdown RM500 Cabs: Bogner 4x12, Bogner OS 2x12, Randall MTS 2x12, Eden D410XLT
K-Bizzle wrote:Have you tried either mark with this band? Every time I've played mark and recto opposite its been fucking stellar.
Basically if the III gets you stoked live that's enough right there IMO. Enjoying yourself is one of the most important aspects when playing out and it sounds like that amp will deliver that for ya.
Yup, I have. The Mark IV sits perfectly for that lead tone. But I've never like you said, had fun playing a Mark IV live. I've had great shows with the Mark III. Your right that wins.
My collection:
Mesa (Mark IV long and short head, Mark III red and blue stripe, Dual Rec 2 channel Rev G and Tremoverb)
Are they both Trad Pros? If so, then flip a coin, black or gold, it don't matter none. Both. Into the III.
'You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.' — David Gilmour
BUY MORE CABS. ALL OF THEM. FUCK RHYTHM, PLAY LEAD. CONSTANTLY. WIPE OUT REST OF BAND.
Fuck, why even ask this question?
Well I do have mesa 3 cabs, and 6 mesa heads. I could just line up 3 cabs, and stack them all 2 high and use some sort of ABY pedal. But yeah, no ones going to be happy if I do that.
My collection:
Mesa (Mark IV long and short head, Mark III red and blue stripe, Dual Rec 2 channel Rev G and Tremoverb)
Tommy Eisen wrote:Well I do have mesa 3 cabs, and 6 mesa heads. I could just line up 3 cabs, and stack them all 2 high and use some sort of ABY pedal. But yeah, no ones going to be happy if I do that.
You would be. If you're a lead guitarist, that's all that should matter to you. In fact, you should find ways to sabotage the PA everywhere you play so only you show up in the FOH.
I may or may not be having bad flashbacks from my band days right now.
hahahha
My collection:
Mesa (Mark IV long and short head, Mark III red and blue stripe, Dual Rec 2 channel Rev G and Tremoverb)
K-Bizzle wrote:Its only one extra head really. And the Mark III is barely more work for being an extra.
Oh, I get what your saying, I was thinking you were saying bring 2 cabs. That might be awesome actually.
Nah fuck two cabs, agree too much work. An A/B/Y pedal and Mark III would be the only extra gear compared to just bringing the Recto like you were planning.
Make one of the assholes thats making you change carry the extra shit haha.
Guitars: ESP Eclipse, JR Tele, Gibson LP Tribute, Gibson Government Explorer S I/II, Yamaha FGX830C, Balaguer Goliath, Squire Jazz Bass Maps: Egnater Armageddon, 5153 50W Stealth, Quilter, Ashdown RM500 Cabs: Bogner 4x12, Bogner OS 2x12, Randall MTS 2x12, Eden D410XLT
Fuck your band. ALWAYS fuck your band. I don't actually subscribe to the whole "you need different amps to cut". Amps have tone controls, different guitars sound different, you can boost or otherwise change volume, and most importantly... you should be arranging the two guitars so they don't step on each other musically.
I've seen so many bands where the guitarists use the same kind of amp and it's not a problem.
Gear Gibson les paul Traditional, les Paul signature T, U.S strat, Japanese Strat , 1970s Greco Tele, Charvel So-Cal Pro Mod style 1, Fernandes TEJ-85, 70's Greco tele. Marshall JVM 205c (Dan Gower modded), JCM900 SL-X, some pedals, Yamaha THR10