Walt wrote:But when the hour is nigh, and the lights are low, and I got a little toothpick of a shwag joint in my teeth, and my friends want to hear me play "Into the Void", or "TNT", "or "Cemetery Gates"...I plug my 600 dollar guitar into my 150 dollar amp, and I am a Rawk gawd.
Walt wrote:But when the hour is nigh, and the lights are low, and I got a little toothpick of a shwag joint in my teeth, and my friends want to hear me play "Into the Void", or "TNT", "or "Cemetery Gates"...I plug my 600 dollar guitar into my 150 dollar amp, and I am a Rawk gawd.
EndTime wrote:The thing I’ve found with the sm7b is a lot of guys like that feeling of singing with the mic on their lips. Yes, I purposely made it sound gay, lol. But it’s true.
I just wanted to chime in and say I bought a SM7B over the weekend based off your recommendation. I used it on the latest drum jam and all I gotsta say is it felt good pressing my lips up against it Seriously though I love that mic. Was using an sm57 before that but when ever I sang at full volume it was too much for it combined with me not knowing shit = never really happy with it. Guess I need to get better at singing now. Mahalo!
I I did about 4 hours of tracking (my voice is now fucked) and I think it came out great. I used my DIYRe 500 chassis preamp with the Cinemag colour module and it sounded great. Clean, clear but not harsh or brittle like my condensers.
EndTime wrote:The thing I’ve found with the sm7b is a lot of guys like that feeling of singing with the mic on their lips. Yes, I purposely made it sound gay, lol. But it’s true.
I just wanted to chime in and say I bought a SM7B over the weekend based off your recommendation. I used it on the latest drum jam and all I gotsta say is it felt good pressing my lips up against it Seriously though I love that mic. Was using an sm57 before that but when ever I sang at full volume it was too much for it combined with me not knowing shit = never really happy with it. Guess I need to get better at singing now. Mahalo!
Hah nice. Yeah your drumjam clip sounded great man
Ex President of the Mesa Boogie Mob(Potentially still the President of MBM?)
Guitars: Gibson Les Paul Traditional Pro Tobacco Burst (Bare Knuckle Black Dog B/57 Classic N) Fender American Professional (Van Zandt (Middle/Neck PU), Pearly Gates in the bridge) Music Man Stingray RS (59/JB) Edwards LP Sykes (Duncan Distortions)
Amps: AC15 w/ an Alnico Blue AC30 Mesa Mark III Green Stripe with R2 Volume Mod Wangs 2204HW Line 6 Helix with ISP FS8 2x12 Mesa Recto cab Monoprice 1x12 w/ a Vintage 30
I have been a recording engineer since the 1970s. I bought a Neumann U-67 in 1980 (used, built in 1961). Today this is considered one of the best mics in the world. Here is the thing, though.
If you can afford a good mic, it will pay for itself - not in sessions, but just increasing in value. I thought I overpaid when I handed over $1500, but I sold that mic a few years ago for $7,000. If I had held out, today they are close to $10k.
When I sold it I bought a new handmade Pearlman TM1 used for $1200. Today they are selling for $1800 used. That was just five years ago.
AND YOU GET THE BENEFIT IF BEING ABLE TO USE IT WHILE YOU OWN IT.
Specifically, these are LDC tube mics - you will not find a better vocal mic anywhere. Beyond that - IRL you are going to end up using just one or two mics all of the time once the drums are done. I believe all you need is an sm57 for guitar cabinets and any LDC for vocals and almost everything else.