ajaxlepinski wrote:Lack of personal style? Dude, you're the Sean Connery of GAB!
Dave wrote:Draelyc - can write a solid song, and play tasty leads despite his internal neurotic tendencies. Despite a million debates raging in his head over string guage, pickup height, Pete Townshend's sexual history, and pick material he makes his Shiva give up the goods. Plus his unplugged electric tone... well... it exists.
phrophus wrote:Reminded me of some COC song. I can't remember which. Cool stuff.
Dance of the Dead maybe? Though they did favor swing-beat stuff quite a bit for a while there.
I'm getting some very favorable comparisons here. You bros is too kind.
Favorite track off that album, and fave non-PJK COC song
Murdoch wrote:Nothing I would do to her would be in the same country as hygenic. If it were, I would be actively devaluing the act, and we can't have that.
Good Deals With : Facing Failure (now Van_Muddlestein) . goodhonk . benjamin801. sublimeride. River Bend. Flying Milkman. Crunchtime. MickTaylorFan. ~Abstract~. colejustesen. paul88lx .guitarbilly74. Mike LX-R. Murdoch. Le_Marteau. matt rhoads.nwright.Mk2 Steve
nightflameauto wrote:I still sing Dance of the Dead to myself about four or five times a month just out of nowhere, even when I haven't listened to the album in forever. Maybe some of that seeped in over the years?
I REALLY like the toans on that album. I like the mix on it as well. Nice & tight, but thick & syrupy at the same time. Really good stuff, IMHO
Murdoch wrote:Nothing I would do to her would be in the same country as hygenic. If it were, I would be actively devaluing the act, and we can't have that.
Good Deals With : Facing Failure (now Van_Muddlestein) . goodhonk . benjamin801. sublimeride. River Bend. Flying Milkman. Crunchtime. MickTaylorFan. ~Abstract~. colejustesen. paul88lx .guitarbilly74. Mike LX-R. Murdoch. Le_Marteau. matt rhoads.nwright.Mk2 Steve
That's right up my alley dude, sounds awesome. What are you using for drums?
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If you don't mind some criticism, I just feel it's a verse and a chorus longer than it should. Maybe sing the first two verses, chorus, third verse, 2nd chorus, then the outro chorus.
nightflameauto wrote:OK, so it was actually written about somebody I deal with in the real world, but the real world doesn't exist here so I figured I'd make it something everybody here could relate to.
A) Demo form B) I've been told it's impossible to suck AND blow at the same time. My vocals do everything in their power to prove that wrong. C) FUCK MIXING! EVERYTHING LOUDER THAN EVERYTHING ELSE!
WTF would you even call this? Post swing dancecore? Big Band Br00tz?
All guitars 8100. Most of it's just two tracks of that except the chorus build-ups where it's anything from three to five. Bass is direct on this with one route through a cab emulator and one just straight through and mildly EQed. Enjoy teh ear-rape.
Absolutely awesome, my friend ~ I mean it!
As for genre/type, first thing that came to mind was: if Quentin Tarrantino had a band, this is exactly what it would sound like. In the coolest way.
ajaxlepinski wrote:Lack of personal style? Dude, you're the Sean Connery of GAB!
Dave wrote:Draelyc - can write a solid song, and play tasty leads despite his internal neurotic tendencies. Despite a million debates raging in his head over string guage, pickup height, Pete Townshend's sexual history, and pick material he makes his Shiva give up the goods. Plus his unplugged electric tone... well... it exists.
I definitely didn't see the swing coming in the original clip - unexpected, but definitely cool!
The chorus vocal/guitar balance is perfect, the guitar tones are great, the bass sits very well in the mix, and the drums are nice and even without sounding flat. You also did a great job of keeping the low-mid mud out that most people working on heavier music tend to end up with!
I'd play with a vocal effect chain a bit, if you're not already. A little short delay and some reverb would help fill in some space, especially during the verse where it gets a little thin. Alternatively, if you listen to Disturbed (the example that comes to mind,) very often the verse vocals are just flat doubled. No harmony, no embellishment, just straight up doubled. It gives a bit of a chorus sound, without taking up a lot more sonic space in the mix.
But overall, this is ready for prime-time. Now all you have to do is write 9-12 more songs just like it and you'll be on your way to stardom!
Also, all the comparisons are really cool. Mostly bands I've listened to at one time or another in the past. The closest I agree with is Green Jello - I can see this slotting in nicely between "Three Little Pigs" and "House me Teenage Rave."
Though now that I think of it, it reminds me a bit of the Probot album as well...
Dude! Fuck that is really good bro. Love the swing feel. I definitely get the Prong/COC vibe in that song. Great job man. Keep that shit the fuck up, man. Awesome job.