
Get a beer, folks; this'll take a few minutes.
I knew before I bought the Plexi that I'd have to do something about a master volume, as an untamed 1987x is just all kinds of impractical for me with a wife & two very young kids in a small, non-soundproofed home. It's a reissue, so I figured a master volume mod would be no big deal. I meanwhile have been running an "volume pot in a box" (Omnisonic) in the loop as a makeshift master.
But now I've been playing the Marshall side by side with an amp I'd planned -- and till recently had been trying -- to sell (which I've since decided to keep), my T.E. Bonneville combo. Hadn't played the Bonneville seriously in forever ~ one reason I was gonna sell it ... but now I'm starting to suspect (with a sinking feeling in my stomach) that I actually prefer the Bonneville to the Plexi.
I know.
I KNOW!!!
So what's the deal? Well, with the Bonneville's gain at noon, it's just the perfect rock crunch for my style, and it still cleans up great from the guitar. The Marshall needs a boost pedal, even with the volume (not the "master") dimed, to get that same "perfect" level of crunch. If I could run the Plexi wide open it wouldn't matter, because the power tubes would get cookin' & make up the difference, but even when I get back out into gigging that will rarely if ever be a viable option.
I guess part of what's bugging me there is I like the idea of being able to play a gig with *just* the amp, if I want/need to ~ it's nice to have the pedals on my board, but I don't want to be dependent on them. The recent "where do you get your gain" thread brought this back to my mind. The Bonneville, with more gain available out of the gate ~ and with two footswitchable master volumes for solo boosts ~ is gigable as is (though my pedals add a lot more versatility).
Now I can certainly throw a Microamp pedal in the Marshall's loop (and have, at a couple gigs) for solo volume boosts, and I could talk to my tech I suppose about goosing the gain in the Marshall a bit when he adds the master volume ... but at that point, that's two mods right off the bat, and what will that do to possible resale later, if I want to go that route? Add to that the size of the Plexi (requiring a 2x12 cab), vs. the B'ville's 1x12 combo format, plus the money wrapped up in the Plex before having it modded ... Like I said, nagging second thoughts, none of which have to do with the sound/tone of the amp, which should be the first (and only?) concern, right?
Maybe I just picked the wrong Marshall for my needs? Prolly should've been smart and looked for something that already had the master as part of the design, and a bit more gain built in to boot. There is something magical about the Plexi sound/feel, though. Can't deny that. But man, I could sell the Plex, pick up a second 1x12 combo to back up the Bonneville, and still have a chunk left to go in savings, couldn't I? Ugh...
Welp, it's 3:36 in the a.m. here, and this pathetic whinging isn't really helping to alleviate my insomnia, but it was worth a shot. Hopefully, nobody'll click on this thread just to point out how annoying it is when I whine & agonize over my gear. If you came in here and got annoyed, though, I sincerely apologize. Feel free to move on, with my condolences. Just had to rant psychotically for a moment. <deep breath> Okay. Er.
Back to bed, y'all. Nothing to see here...
