

http://detroit.cbslocal.com/2013/10/14/ ... -his-hair/
You gotta give it to the guy for knowing how to pull off a publicity stint though


Moderators: greatmutah, GuitarBilly
Reverse Entropy wrote:Nah, no way for Prez. Cabinet position possibly.
Pepi wrote:Could he be any worse?
madryan wrote:He's slightly less nuts than Bachman.
~Abstract~ wrote:Pepi wrote:Could he be any worse?
Than Bush? Nope.
Sasquatch wrote:~Abstract~ wrote:Pepi wrote:Could he be any worse?
Than Bush? Nope.
hahahaha
honestly, i don't think he'd be worse than president cheney was or obama is right now. was hoping for more from obama. oh well..![]()
at least he'd be hilarious.
madryan wrote:Sasquatch wrote:~Abstract~ wrote:Pepi wrote:Could he be any worse?
Than Bush? Nope.
hahahaha
honestly, i don't think he'd be worse than president cheney was or obama is right now. was hoping for more from obama. oh well..![]()
at least he'd be hilarious.
IMO, Bush and Obama suffer from the same affliction. Both are ideologues.
DoubleBarrel wrote:Reverse Entropy wrote:Nah, no way for Prez. Cabinet position possibly.
Head of ATF
benjamin801 wrote:DoubleBarrel wrote:Reverse Entropy wrote:Nah, no way for Prez. Cabinet position possibly.
Head of ATF
He doesn't drink or smoke. I don't own a gun or smoke. That makes him and me equally qualified.
G-Zod wrote:I always thought the solo the Stranglehold was a masterpiece (but then again, what do I know?!?)...anyway, I found this interesting little piece of info the other day...
" ‘Stranglehold’ is a masterpice of jammology,” proclaims Ted Nugent. “We were in the Sound Pit in Atlanta, Georgia, and I was showing my rhythm section of Cliff Davies [drums] and Rob DeLaGrange [bass] the right groove for the song. I was playing my all-stock 1964 blonde Byrdland through four Fender Twin Reverbs and four Dual Showman bottoms on my rhythm settings—we were going to leave a hole there so that I could overdub a solo later.
"Then I started playing lead work, just kind of filling in and though I had never played those licks before in my life, they all just came to me.
And because I got so inspired and because they followed me so perfectly, that demo is exactly what you hear on the record today. Take one, rhythm track is the song—it made such organic sense with the flow of music that I said, ‘I’m not gonna fuck with that! That’s it, baby.’ And that is the essence of why people love it—because it is so spontaneous and uninhibited.
"The only thing we went back and overdubbed was Derek St. Holmes’ vocals and my two tracks of harmonized feedback, which come in and out of the entire song. All the engineers and everyone kept saying, ‘You can’t do that, Ted.’ And I said, ‘Shut the fuck up!’ Because I had the vision; I saw what the song could be, and I realized it.”