We had 10,000 people,” he says. “That’s what I call ‘proof of life.’ There’s always talk about the blues dying out, but it won’t. You just have to make it a little different. That’s where the Black Keys and Jack White have succeeded and I’ve failed. They’ve actually convinced college kids that they’re listening to hip music—but it’s just blues twisted a new way—while I’m playing for the college kid’s parents.”
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the black keys are successful because they play EQD.
but yeah, true statement from Joe B. it's cool that at least he can see what's up. but I don't really see his music quite the same as the black keys or jack white. sure its all based on the blues but it seems like his stuff is too polished and safe while they are a little edgier and take more chances. plus I think they have created more of their own sound whereas Joe just always seems to regurgitate what others have already done even though he is probably a more technically proficient guitar player.
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sleewell wrote:the black keys are successful because they play EQD.
but yeah, true statement from Joe B. it's cool that at least he can see what's up. but I don't really see his music quite the same as the black keys or jack white. sure its all based on the blues but it seems like his stuff is too polished and safe while they are a little edgier and take more chances. plus I think they have created more of their own sound whereas Joe just always seems to regurgitate what others have already done even though he is probably a more technically proficient guitar player.
My only issue with Joe is that his tone is way too polite. Its warm to a fault. I can't listen to BCC and think of it as convincing rock music if the guitar tone doesn't have some damn bite to it
sleewell wrote:but yeah, true statement from Joe B. it's cool that at least he can see what's up. but I don't really see his music quite the same as the black keys or jack white. sure its all based on the blues but it seems like his stuff is too polished and safe while they are a little edgier and take more chances. plus I think they have created more of their own sound whereas Joe just always seems to regurgitate what others have already done even though he is probably a more technically proficient guitar player.
Well said. That's how I see it too.
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Yeah, Lawyers, dentists and accountants are generally conservative and don't want to hear anything edgy or new that might mess up their high dollar coif.
Comparing himself to more raw alternative type artists while saying its "blues based" therefore drawing a comparison to it, is kinda absurd. We can almost draw lineage to the blues in any guitar based music if you want. I mean some have downright have ripped off the blues and sound way "edgier" than Bonomassa. If he wants a younger audience, then dont play tired covers or originals that sound like a tired cover..
EndTime wrote:I actually think hes completely not aware.. lol
Comparing himself to more raw alternative type artists while saying its "blues based" therefore drawing a comparison to it, is kinda absurd. We can almost draw lineage to the blues in any guitar based music if you want. I mean some have downright have ripped off the blues and sound way "edgier" than Bonomassa. If he wants a younger audience, then dont play tired covers or originals that sound like a tired cover..
pabloramon wrote:Yeah, Lawyers, dentists and accountants are generally conservative and don't want to hear anything edgy or new that might mess up their high dollar coif.
EndTime wrote:I actually think hes completely not aware.. lol
Comparing himself to more raw alternative type artists while saying its "blues based" therefore drawing a comparison to it, is kinda absurd. We can almost draw lineage to the blues in any guitar based music if you want. I mean some have downright have ripped off the blues and sound way "edgier" than Bonomassa. If he wants a younger audience, then dont play tired covers or originals that sound like a tired cover..
Whatnow2012 wrote:try humberck piskup is bettor for metal than singlecpoil for blues
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EndTime wrote:I actually think hes completely not aware.. lol
Comparing himself to more raw alternative type artists while saying its "blues based" therefore drawing a comparison to it, is kinda absurd. We can almost draw lineage to the blues in any guitar based music if you want. I mean some have downright have ripped off the blues and sound way "edgier" than Bonomassa. If he wants a younger audience, then dont play tired covers or originals that sound like a tired cover..
I don't think he's comparing himself to these guys, quite the contrary, "where they succeeded and I've failed" is more of a contrast than a comparison.
Guitars: '78 Les Paul Pro / '89 SG Special/ '04 Gibson Les Paul Classic 3 pickup / Jackson Star/ Endres Tele / Fernandes Rhoads/ ''74 Hohner MIJ strat/ 2 Partscasters
Amps: Depends on when you ask. I got tired of constantly updating this section lol
Cabs Marshall 1960A w V30s/ Seismic 2x12 w Redback and V30.
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sleewell wrote: I think they have created more of their own sound whereas Joe just always seems to regurgitate what others have already done even though he is probably a more technically proficient guitar player.
I think this is exactly what he's getting at. They took the blues (in Jack White's case, Delta blues) and twisted it into their own thing, meanwhile he's still rippin' out covers of Steppin' Out (not that that I blame him ).
EndTime wrote:I actually think hes completely not aware.. lol
Comparing himself to more raw alternative type artists while saying its "blues based" therefore drawing a comparison to it, is kinda absurd. We can almost draw lineage to the blues in any guitar based music if you want. I mean some have downright have ripped off the blues and sound way "edgier" than Bonomassa. If he wants a younger audience, then dont play tired covers or originals that sound like a tired cover..
JB also needs to team up with a strong songwriter. He writes the most forgettable stuff ever. I sometimes think he just writes songs as a vehicle for him to solo over.
Guitars: '78 Les Paul Pro / '89 SG Special/ '04 Gibson Les Paul Classic 3 pickup / Jackson Star/ Endres Tele / Fernandes Rhoads/ ''74 Hohner MIJ strat/ 2 Partscasters
Amps: Depends on when you ask. I got tired of constantly updating this section lol
Cabs Marshall 1960A w V30s/ Seismic 2x12 w Redback and V30.
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GuitarBilly wrote:JB also needs to team up with a strong songwriter. He writes the most forgettable stuff ever. I sometimes think he just writes songs as a vehicle for him to solo over.
Did you ever check out Black Country Communion? Pretty solid classic/hard rock, imo.
GuitarBilly wrote:JB also needs to team up with a strong songwriter. He writes the most forgettable stuff ever. I sometimes think he just writes songs as a vehicle for him to solo over.
GuitarBilly wrote:JB also needs to team up with a strong songwriter. He writes the most forgettable stuff ever. I sometimes think he just writes songs as a vehicle for him to solo over.
Did you ever check out Black Country Communion? Pretty solid classic/hard rock, imo.
Yeah I have their records. They're good I can't say anything bad about it, but still not quite strong enough IMHO... Keep in mind I was a Glen Hughes fan way before I even heard of Joe and coming from that perspective, well... Hughes + Blackmore or Hughes+Iommi or even Hughes solo are better than Hughes+Bonamassa..
So it's a highlight for Bonamassa fans, but not so much for Hughes fans.. they're good albums though.
Guitars: '78 Les Paul Pro / '89 SG Special/ '04 Gibson Les Paul Classic 3 pickup / Jackson Star/ Endres Tele / Fernandes Rhoads/ ''74 Hohner MIJ strat/ 2 Partscasters
Amps: Depends on when you ask. I got tired of constantly updating this section lol
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Not to mention pretty sure Hughes was heavily involved with the writing of a lot of those songs... Hell, the songs he sings on may have been written just by him, but I never looked that much into it.