Thanks guys, it's a lot more upbeat than our other songs which are a lot more gritty guitar centric... More alternative. My sister and I do this together, full album out in June. This one was just put up for press release
The main vocal is my sister, I do the harmonies and perform the instrumentation on this track.
yeah that's not my usual music style but it sounds really good. Good stuff...
Guitars: '78 Les Paul Pro / '89 SG Special/ '04 Gibson Les Paul Classic 3 pickup / Jackson Star/ Endres Tele / Fernandes Rhoads/ ''74 Hohner MIJ strat/ 2 Partscasters
Amps: Depends on when you ask. I got tired of constantly updating this section lol
Cabs Marshall 1960A w V30s/ Seismic 2x12 w Redback and V30.
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Walt wrote:But when the hour is nigh, and the lights are low, and I got a little toothpick of a shwag joint in my teeth, and my friends want to hear me play "Into the Void", or "TNT", "or "Cemetery Gates"...I plug my 600 dollar guitar into my 150 dollar amp, and I am a Rawk gawd.
Kind of like the music of Future Islands and Friendly Fires with Chvrches/Purity Ring-type vocals.
It would be nice to have an intense bridge around the 2:15 mark instead of going into a verse with the exact same timbre as the last verse. The vocals are so smooth, they all kind of blend.
It's still awesome though. Don't get me wrong. This is definitely the kind of stuff I like.
ajaxlepinski wrote:Like the vocals and the arrangement... I'd buy the CD. Not enough dance music being made these days
Awesome, yeah its a shame so many bands are all moody and intense now a days. I mean, this song is about crystal meth and LA pop-culture - so the subject matter is dark but still enjoyable I think. Thanks for listening!
I'll post links when I get the tracks where I play guitar up, I think all of the gear and tone dorks on here will really like it
Don't get me wrong, nothing wrong with that, but there is a lot of it in the independent music scene. but fo your thing man, if you like to play it thsts all that matters.
-the vocals are great. -the recording sounds great. -could stand with one, maybe two subtle layers of something behind the vox and keys though. felt really sparse, like there needed to be something in the way background going on between the keystrokes which the tempo made just that teeeeensy bit too far apart it seemed. -and i dont know if i'd bill it as disco. sadder than that, and just had a steady beat.
sprinkle some seasoning in that mug and i'd buy it. reminded me of a lot of the girltechnopoprock that's taken over indie these days, for better or for worse. phantogram, metric, etc.
Beer==>SG==>Pedals==>Orange TV50
Telephant wrote:C'mon down to Marshall town sweet tits. We're all having a helluva time.
ovid9 wrote:But, having three cats, I don't want to hurt their ears.
sleewell wrote:goop forever, thug life till I die bitch.
Dave Lister wrote:Ya'll motherfuckers don't need any or more better gear, ya'll need better ideas.
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I LOVE this! Honestly, a year ago I would have said, "This isn't really my thing but…"
Now I don't know what my thing is but I would certainly listen to an album worth of this stuff. I have gotten turned on to a lot of new music and am staying way more open than I had previously.
JerEvil wrote:I LOVE this! Honestly, a year ago I would have said, "This isn't really my thing but…"
Now I don't know what my thing is but I would certainly listen to an album worth of this stuff. I have gotten turned on to a lot of new music and am staying way more open than I had previously.